Are awarded的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列問答集和懶人包總整理

A New Century of Heroes

為了解決Are awarded的問題，作者Chambers, Douglas R. 這樣論述：

There are heroes who walk among us: the clam digger who rescues a man from a burning retirement home; the dancer who prevents a robber from shooting two policemen at a nightclub; the former Marine, blinded during the Korean War, who saves two women from drowning in a river. What they have in comm

on--besides the willingness to risk sacrificing their own lives to save that of a friend or a stranger--is an unwillingness to brag about their actions. In 1904, moved by the stories of two men who died trying to rescue others in the devastating Harwick Mine Disaster that killed all but one of 180 m

en, Andrew Carnegie conceived of a fund to reward selfless acts of bravery and courage. Since its creation 120 years ago, the Carnegie Hero Fund Commission has awarded more than 10,000 medals and distributed more than ＄44 million in awards, grants, tuition, and other assistance. Published under the

auspices of the Carnegie Hero Fund Commission, the original edition of A Century of Heroes received an award of excellence in 2005 from Communication Arts and, along with its accompanying video, remains a part of the awarding materials given to each Carnegie hero. Updated and expanded, A New Century

of Heroes profiles more than 200 medal recipients: ordinary men, women, and children who undertook extraordinary acts to save the lives of others. It also reveals the tireless efforts of investigators who roamed the United States and Canada, collecting data on the hundreds of nominations received e

ach year for consideration and conducting thousands of interviews with rescuers, witnesses, and individuals whose lives were saved. Their maps, diagrams, and marked-up photographs, many of which are included in this volume, illustrate the high standards and strict requirements imposed by the Commiss

ion to ensure that a Carnegie Medal recipient truly deserves the appellation ＂hero.＂ Only about one in ten nominees is selected for recognition. The heroes featured in this book offer a cross-section of the thousands of honorees who have received the award. They represent only a few of the inspiring

stories that uphold the Carnegie Hero Fund’s legacy, reminding us that true heroes are found, not on television or in comic strips, but in the uncommon strength that lives inside all of us.

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臺南新藝獎十年（2013-2022）觀察之探討

為了解決Are awarded的問題，作者沈士慈 這樣論述：

臺南新藝獎是臺南市政府文化局在100年縣市合併以後由官方辦理的視覺藝術獎項，宗旨在於扶植青年藝術創作、建立藝企媒合平臺及促進當代藝術發展。以「發掘下一個藝術新星」為目標，2013年首屆辦理迄今2022年，十年來共培育了140名40歲以下（獲獎時）的新銳藝術家。跳脫過去官辦獎項以高額獎金作為獎勵、單一展覽場地的思維，臺南新藝獎結合藝術博覽會、臺南特有的巷弄文化、展覽空間及畫廊的藝文產業生態，以城市作為思考，將「獎項機制」與「策展機制」結合，由官方邀請產、官、學界評審及策展人共同評選出獲獎藝術家，透過專業策展人媒合獲獎藝術家到城市中的展覽空間及畫廊；串聯城市多點式的展覽模式，並在展覽時邀請與主題

相關聯之其他藝術家，或與獲獎藝術家的作品可以對話者共同參展，獎項形式別具創意。而臺南新藝獎展覽作為每年三月至四月的城市行銷，已成為臺灣藝術圈日趨重視並關注的活動。本研究透過歷年畫冊文獻研究、相關雜誌評論及深度訪談，爬梳10年來（2013－2022）臺南新藝獎的獎項機制的運作、轉型過程、評審制度、展覽歷程及行銷推廣活動…等，並透過深度訪談在展覽及作品銷售中扮演重要角色的臺南畫廊負責人或經理，分析臺南新藝獎辦理藝企媒合、協助新銳藝術家進入市場、作為公眾展覽的實際成效。研究者除了紀錄臺南新藝獎十年的發展歷程之外，並積極彙整進一步提出未來臺南新藝獎可突破的實際執行相關建議，作為獎項與展覽後續之參考。

I Understand Everything Better

為了解決Are awarded的問題，作者 這樣論述：

Anexpansive documentation of David Neumann/Advanced Beginner Group’s 2015 ＂deeplyfelt and deeply moving＂ (New York Times)performance piece, a multi-disciplinary, dance-based work that explored theimpulse to report on calamity, the shimmer of attention to realms unseen, andthe evidence of the body as

possessing a will to let go of living. David Neumann’s work as a freelance choreographer, director and performerincludes a wide range of projects and disciplines. Since 1999, Neumann hasworked behind the scenes to craft plays, operas, films and multi-disciplinaryperformances. From avant-garde the

ater to blockbuster films, classic opera tonew musicals, David’s diverse experience has given him a unique ability to articulateideas through performers’ bodies. Whether playing one of Shakespeare’s kings ora virus-infected zombie with an appetite for Will Smith, the performers Neumannworks with gai

n from his multi-layered approach. David coaches individuals, hasmoved dozens of people through city streets, staged a hundred musical numbers, directed puppets, friends and drag queens, organized multiple Greek chorusesand continues to find new ways for the human body to communicate. He has workedw

ith stars from the ballet, film and avant-garde worlds, as well as those neverhaving stepped on a stage, learning valuable lessons from each. Neumann hasmany years of teaching experience working at Juilliard, NYU, Princeton and Yaleand is currently a tenured professor in the Theatre Department at Sa

rah Lawrence College. He has received threeLucille Lortel Award nominations and one Fichandler for his work on Cabaret atArena Stage. He is the Artistic Director of ’Advanced Beginner Group’, amulti-disciplinary performance company, which has been awarded three BessieAwards. He is a 2019 Lucille Lor

tel, Outer Critics Circle, and Tony Awardnominee, as well as the recipient of the 2019 Chita Rivera Award forChoreography for his work on the Broadway musical, ’Hadestown’. Recent and upcomingprojects include the musical ’Swept Away’ at Berkeley Rep, and choreography andcoaching for ’A Marriage Stor

y’, starring Scarlett Johanssen and Adam Driver.Advanced Beginner Group has created three evening length pieces performed in New York at The Kitchen, New York Live Arts, the Chocolate Factory and Abrons ArtsCenter, and on tour at The Walker Arts Center, MASS MoCA, MCA at Chapel Hill, and Alverno Col

lege, to name a few. ABG has been awarded several grants andawards, including three NY Dance and Performance ＂Bessie＂ awards. AdvancedBeginner Group has embarked on another evolutionary shift, in aco-collaboration with theater artist, Marcella Murray on their new piece, ’Distances Smaller Than This

Are Not Confirmed’ which premiered at Abrons ArtsCenter in January, 2020. David Neumann/Advanced Beginner Group embarkson each piece through an organic process begun from scratch, bringing to word, action, and proximity a delighted embrace of our contradictory lives.Contradiction is best felt throug

h humor and it is with a strategic use ofhumor that the work confronts our darker impulses and actions. ABG searches forantidotes to the absolutes that separate us, and so create these works as anirrational response to our perceived place in the universe. In each work, Neumann attempts to uncover a

distinct and complex view of the humanexperience. He embraces contradiction and juxtaposition as a means toward anactive engagement with the audience where performer and observer alike aregiven the potential to find themselves in a more alert state, more open to thesubtleties of their day-to-day exp

erience. To even approach this desiredcomplexity, the work is necessarily multi-disciplinary, as Neumann aims thevarious approaches and disciplines toward one another, and through theircollisions, bend the habitual gestures around new shapes. As adance/theater maker, Neumann focuses his efforts on t

he borders of theintellectual and the phenomenological, the representational and the abstract, and the personal and the cosmological with the intention to make blurry our desire to live inside distinct categories, binaries, and absolutes. David Neumann and Advanced Beginner Group desire an awakened

state, full of surprise, wonder, and humor without ignoring our pain, ennui, and existential longings.

不同CS值的辦公室照明對辦公室工作者之影響

為了解決Are awarded的問題，作者許家瑜 這樣論述：

近年來，人們越來越重視晝夜節律的相關研究。Jeffrey Hall、Michael Rosbash與Michael Young三位遺傳學家因過去發現控制晝夜節律的分子機制，而獲得2017年的諾貝爾生理醫學獎。除了晝夜節律議題變得日益重要，也有許多研究指出，照明對現代人的生理、心理方面影響極為顯著。因此，兩者結合的「晝夜節律照明」，應用於辦公室工作者成為了重要的研究課題。在辦公室照明領域中，雖然已有標準來規範不同工作場域的照度，但辦公室照明對於人類健康的影響仍有深入討論的空間。本研究以模擬一般辦公室場域及工作模式作為實驗架構，並基於晝夜節律刺激值(CS值)進行辦公室光源重建，再搭配國際標準CI

E S 026 Toolbox的黑視素晝光效率比進行光源細部分析。再分別以腦電圖、心電圖、眼電圖與閃光融合閾值等生理訊號數據，以及搭配主觀視覺舒適度問卷之調查結果，探討32位辦公室工作者(16男16女，平均年齡28.00 ± 5.79歲)在進行三項辦公室任務時，其生理與心理之變化。本研究成功驗證了晝夜節律刺激值(CS值)計算對於辦公室照明設計的可行性，並於結果中深入分析高CS值搭配高黑視素晝光效率比之照明，發現CS ≥ 0.45與較高的黑視素晝光效率比之照明可有效地幫助辦公室工作者減少視覺疲勞。因此，本研究以此分析結果提出減少辦公室工作者的視覺疲勞之照明設計方法。